'Aesthetics of Knowledge Maps Essay\r'

'If â€Å"a picture is expenditure a thousand reciprocations”, what is the worth of to each single backchat? Does the value of the aesthetic decrease by dint of this transition? The compassionate brain is trained to accept that there is a word to describe aesthetic, beingness fit to put a label or description on all of this development. Why must we even classify a photo’s meaning through the written row? opthalmic tuition can non be fully described through diction or non- visual semiotic systems, because it is irreducible. information is an fastidious and aesthetic concept; to understand our piece we must include the notion of information and how we as homo can make a representation of the world in our minds. Visual artifacts contain information. We store information visually, we analyze information through a visual means, and we understand information better when it is delineate visually. The word ‘tree’ represents a tree as an aesthe tic, an encompassing notion versus a specific image of a singular tree.\r\nThere is a broader spectrum for understanding when something is visual. Depending of what language you speak, the framework of our semantic foundation, the meaning of a word varies drastically. People that speak different languages all cop something in a photograph or word picture and could tell you what it is they see, but the differences in our semantic thinking, language of words classifying information, will make it different. When a human is in early development stages as a child, the first initial way to communicate for them is visual information. Before children learn to read and write they draw, go steady television, look at picture books. Then they are given teachings of communicating visuals to word. During the Paleolithic Period, 40,000â€8,000 BCE, nomadic sight painted in caves as a terrifically early way of communication, sharing information with others.\r\nAn dumbfounding example is t he Hall of Bulls in the Lasceux Caves located in France in 15,000 BCE. These humans could not read or write and yet the visual information they represented with these paintings is breathtaking. They didn’t need 1,000 words to describe what they see until the information age. Stories throughout time have been told of course with visual information. Information has a history, yet remote regular history, it is unbound by Euclidian space. It is not a physical being that has but one description.\r\nHow invariably, now information is all put into word. Without an long vocabulary there is little chance you could ever be able to express notions as clear as if you were to simply communicate with visuals. Reliance on visual’s word to form the structure of all of our communication means thinking; visualizing information and mapping thought processes. Knowledge deals with matter of facts; laws of constitution and society deal with energy processes and determine friendship and facts. Information is prior to laws and knowledge; information is structured, relational, stored and transmitted, aesthetic. Information is configurations, organization and formalization. Mapping concepts structures our knowledge and makes us able to generate hypotheses. The organization of thoughts and concepts in this way brings the prospect of serendipitously learning.\r\n'