'Characters of Joyce Carol Oates'

'A image is a person, object, or an event that suggests a great deal than its literal meaning. symbolization is generally utilise by authors to range the intangible qualities of the characters, places, and events in their work. In Where argon You Going, Where Have You Been Joyce warble Oates uses many symbols such as: vanity, Arn sexagenarian booster amplifier, and her house.\n egoism is a agency played by Connie. In this story, Oates illustrates Connie as a 15 course of instruction old who is longing to recall herself as a woman. Connie is constantly touch with the representation she looks, which is proved when Oates writes, She had a rapidly nervous giggling dress of craning her neck to glint into mirrors or checking some other(prenominal) peoples faces to make confident(predicate) her own is very well (233). She is discovering her sex appeal, realizing that she has the office to drag boys in with how she dresses or the focussing she plays with her bull. This gives her a moxie of control, and the mindset of a woman. What she fails to realize is step on it to grow up is setting her up for an unfortunate event.\n some other symbol utilise by Oates is Arnold Friend. He is a agency to symbolize the dingy side of reality, the argue force to Connies child same(p) fantasy world. either detail astir(predicate) the way Friend looks and acts represents his shady, dark persona. Oates describes Arnolds sensory hair as looking analogous a wig. His hair in crease of Connies florid blonde hair which symbolizes innocence. Arthurs sunglasses would be a symbol of disguise, they study mirror images, his way of hiding who he really is. Arnolds gondola is a nonher example of his darkness, the saying Man the flying Saucers, written on the front extension of Arnolds car reflects how important it is for him to accommodate in with the jr. people. This is evident when Oates writes, It was an materialization kids had used the year before, but did not use this year.(238). Realizing that Arnold is much older than she imagined, Connie is interpreted by the fear of the unknow...'