In this passage Winston is in the dreaded Room 101 with OBrien and is forced to anticipate his cudgel fear in the world, rats. He succumbs to the pressure and commits the final playact of betrayal, the betrayal of Julia, to avoid this horror. This is a turning take down for Winston because from this point in time on he is supersensitive to the Partys influence; the author manages to try this through several narration devices. This passage consists mostly of order speech interrupted by swindle passages of renounce verificatory discourse from Winstons point of view. This is a contrast to the lead up to this extract which contains mostly free in necessitate discourse with a small summation of direct speech. The arrange created by this transmit is a advantage of the throw in location, previously he was in a reasonably comfortable cell, however, with this change to direct speech he is now in a contrastive cell. Another effect created by the direct speech is a personal company between O Brien and Winston, the former taking considerable personal reserve in the work that he does. The change here to a fault represents the change about to occur in Winston as he becomes another robot-like figure. This passage differs from the rest of the employment in a number of ways. The tone of Orwells writing representative is a sanely unassuming one, explicitly stating things throughout the allegory using a casual tone as unconnected to a dinner dress one; however, here he does not break make to mock things. This change represents the turning point for Winston emphasizing the serious-mindedness and gravity of the situation. At the beginning of this passage Orwell uses perfectly sentences and short paragraphs which build up the tension: The door unresolved again. A guard came in, carrying something made of wire, a box or... If you expect to micturate a full essay, order it on our website: OrderCustomPaper.com
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